PRE-BAROQUE or TRANSITIONAL RECORDERS
Soprano (descant) recorder in c after Haka, "Handfluyt" or "van Eyck recorder"
440, 466 or 415 Hz
|
This recorder was designed after the transitional style instrument by Haka, from the middle of the 17th century, in the Edinburgh University Collection of Historic Musical Instruments.
|
|
|
|
|
The recorder after Haka has a fairly wide, slightly conical
bore, giving a range of two and a half octaves with historical fingerings (Mersenne or van Eyck). It is particularly suitable for playing Jacob van Eyck's music and the 17th century Italian repertoire.
It is made from French boxwood.
|
|
Pre-baroque alto recorder in g after Haka
440, 466 or 415 Hz
|
|
This recorder is derived from the Haka soprano. It has the same range and fingerings, and can provide an alternative solution to the Ganassi recorder for playing 17th century repertoire.
|
|
|
This instrument is made from French boxwood and has a range of more than 2 octaves.
|
|
Pre-baroque tenor recorder after an anonymous Italian instrument
(n° SAM 148 in the Kunsthistorisches Museum, Vienna) 440 or 466 Hz
|
|
The range and fingerings are similar to those of the Haka recorders above. The last hole is
near enough not to need a key, making fast playing easier.
This instrument can be made from boxwood, fruit woods or palissander (rosewood).
|
|
|
|
Philippe BOLTON, 22 Le Grand Portail, F-84570 VILLES-SUR-AUZON, France TEL : +33 4 90 61 86 11
|
|
|
|