PHILIPPE BOLTON,  RECORDER MAKER
Bilingual home page (recorders etc.)

Medieval, pre-baroque, and baroque recorders

 Version française  
Home page  
Recorders page

MAKING A RECORDER


The beginning

The boxwood logs are first split to follow the direction of the wood fibres.
Other woods with larger sections are sawn into squares.

making a recorder: splitting a log of boxwood


Roughing down the pieces of wood

Each piece of wood is turned to a cylinder on the lathe.

making a recorder: turning a piece of wood to a cylinder on the lathe


Boring the instrument

Spoon drills are used for this operation which is carried out on the lathe.

making a recorder: boring the head joint on the lathe


Reaming the bore

Each reamer is made to measure for one specific part of the bore, to which it gives its final shape and measurements.

making a recorder: reaming the bore of the head joint


Turning the instrument

In order to ensure perfect concentricity, the instrument is fixed on the lathe by its bore. The turning is done by hand.

making a recorder: turning the head joint on the lathe


The Windway cutter

The windway is cut with great precision using this small hand-operated machine.

making a recorder: cutting the windway in the head joint


Cutting the labium or lip

The labium is cut with a chisel.

making a recorder: cutting the labium


Making and fitting the block

  making a recorder: carving the block

The block is carved and fitted by hand.

making a recorder: fitting the block into the head joint


Boring the holes

The holes are bored undersize, so that the instrument can be tuned later on.

making a recorder: boring the holes in the centre joint


The thread joints

The layer of thread makes the instrument airtight.

making a recorder: putting the thread on the centre joint


Voicing the recorder

This is a very long and meticulous operation requiring great precision in the windway and on the block.

Working in the windway

making a recorder: adjusting the windway

Working on the block

making a recorder: adjusting the surface of the block


Tuning the recorder

The holes are undercut by hand until all the notes are in tune.

tuning the recorder by opening and undercutting the holes


Testing and playing in the finished recorder.

The recorder is played for several hours to ensure that it is stable in normal playing conditions

testing and playing in the recorder


  Section view of a head joint A recorder bore profile
  Close-up view of the the undercut holes Recorders page
  How to make a recorder block How the recorder works
  Back to home page


Philippe BOLTON,
le Grand Portail, F-84570 VILLES SUR AUZON, France
TEL +33 4 90 61 86 11   FAX +33 4 90 61 97 82  

Bilingual home page (recorders etc.)